Monthly Archives: May 2014

Journeys in Space: Desolation in Multitudes

Desolation in Multitudes at St Germain des Pres

Masked Paris Dancer à les Deux Magot.  (c) Tim Carey 2011, all rights reserved

Masked Paris Dancer à les Deux Magot. (c) Tim Carey 2011, all rights reserved

 

He had been out all day, getting an early start with a few hours at the Louvre.  Another hour spent wandering the 6th Arrondissement, searching for artwork in the quirky little galleries that line the rue de Seine.  A couple of hours pretending to read the International Herald Tribune at a prominent cafe while secretly watching the most fashionable people in Paris getting drenched in a summer shower.

The Louvre had lived up to expectations.  The formerly controversial pyramid entrance was surprisingly efficient at funneling the thousands of visitors into the three great pavilions:  Richelieu, Sully, and Denton.  Once in the pavilions, though, the crowds were truly crushing.  It was hard to have a few private moments with Aphrodite when surrounded by couple of hundred other people. The camera flashes were a major distraction.  He moved toward the Etruscan and Roman exhibits hoping to avoid the crowds and was suddenly face to face with an impressive marble sculpture of the Emperor Trajan.  A nice experience with only one other patron, even if that patron was brandishing the ubiquitous, obligatory, cell phone camera.  He had a similar good experience viewing Giampietrino’s The Death of Cleopatra, a work apparently not very high on the priority list of the visiting throngs.  He peeked into the gallery that housed the Mona Lisa, after deciding that he couldn’t have visited the Louvre without at least taking a look.  It was impossible to see anything.  The crowds were too dense to allow a close approach.  Her bullet proof enclosure obscured all but the barest outlines of the painting.

The skies were threatening when he departed the Louvre, crossing over the Pont du Carrousel to the left bank.  It was easy to linger at the book sellers stalls that line the river.  He was of a mind to pick a French copy of Voltaire’s Zadig, not that his French was good enough to actually read it.  It would disappear into his library as part of his ever increasing unfinished list of things to do: in this case to become fluent enough in French to read Voltaire in the original.  He slowly wound his way along the river bank and found a copy of Voltaire, although not a very good edition.  Still at E 4.50, it would suffice.

The galleries along the rue de Seine were disappointing, overpriced and trendy.  It was easy to admire the technical artistry and construction techniques, and the bold use of color, especially of the ceramic pieces.  But in the end they seemed to be presented and marketed as mere accessories to owners of fashionable apartments rather than as serious statements by artists looking to connect with serious collectors.  He gave up and hurried to Les Deux Magot, across the street from the church.  The cafe exactly matched his memories of twenty years ago. The first few rain drops were starting to fall as he managed to secure the last available table under the awning.

He ordered a light lunch of salad and pate, and a glass of wine.  He perused the paper, but his attention was really on his fellow patrons.  Next to him were two Islamic girls, in head scarves, he was careful not to make eye contact.  There was a boisterous party of middle-aged men and thirty-something women.  At another table a group of waif thin sixty year old women.  As the rain increased, crowds of shoppers bearing their designer shopping bags headed for the shelter of the awning in increasing numbers.  They were uniformly soaked, clothes and hair plastered to them.  He stole surreptitious glances at the people around him.  They were mostly women, consistent with being in the shopping district.  But there were also families, and tourists, and groups of men.  Dozens.

Eventually, he abandoned even the pretense of reading the paper.  It was striking to realize that he was completely surrounded by people, being jostled every few seconds by someone, being dripped on by someone else’s closing umbrella, being dangerously close to the young girls in the next seats.  He was completely surrounded by people and yet, curiously, he also realized that he was completely and utterly alone, as alone as he would have been on the face of the moon in spite of the pressing crowds.

[I thought and thought and thought about sending her a text message, I had been thinking about it for hours, days.]

He looked out at the plaza and ordered another glass of wine, a surprisingly good Sancerre Blanc.  The Islamic girls had departed; the rain was letting up.  The overflow crowd was resuming their activities, in a few minutes he was alone physically as well as spiritually.  The sun broke through the clouds, a surprise.  A saxophone player arrived, accompanied by a masked dancer.  The music was ethereal, the dancing surreal.  He was captivated, enchanted.  He dropped twenty Euros into the hat, an absurdly high amount.

Suddenly decisive, he quickly finished his wine, paid the check, and departed.  Crossing the street to the taxi stand, he gave the address to his hotel.  This was an extravagance, it would have been only a fifteen minute walk instead of a fifteen Euro taxi ride, but suddenly he wanted nothing more than to get to the hotel, to get away from all of this.  The taxi crossed the Seine at the Pont de Concorde and with a few quick turns and in a few quick moments arrived at his hotel.  He greeted the hotel desk clerk, who rose to return the greeting, ever proper.  He impatiently waited for the slow ancient elevator to arrive, pushing the call button insistently.

[I left the café quickly and caught a cab back to my hotel. The driver was a little upset that the trip was so short and wanted to impose a surcharge.  I paid his extravagant fare and got out of the cab.  I gave a quick hello to the desk clerk and waited forever for the elevator. At that point all I wanted was a nap.]

Once inside his suite, he locked the door and pushed the ne pas déranger button, to keep the housekeeping staff from disturbing him.  He undressed completely and quickly slipped into bed.  The afternoon sun streamed through the curtains.  Suddenly he was restless and couldn’t sleep.  He fiddled with his phone, finally figuring out how to set it to emit an audible signal if she texted.  This didn’t stop him from lying awake checking the phone every few minutes.  Eventually sleep came to him.

[I fell asleep listening to Nick Cave and the Bad Seeds.  I have to call her, or text, or something…]

 

 

(c) Combat Press, 2014, all rights reserved

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Journeys in Time. Time: Make it Stop

This except adapted  from the Proceedings of the 7th Annual A.J. Liebling Invitational Short Fiction Conference, “Time:  Make it Stop” by Tim Carey,  (c) 2013  A.J. Liebling Invitational Short Fiction Conference, all rights reserved

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“Poo-Tee-Weet”

I have become obsessed with time.

I don’t just mean that I have become obsessed with time management, or spending my time wisely, or using my time well, or making sure that I am using all the minutes… even all the fucking seconds (86,400 of the little bastards everyday[1]) in a socially acceptable way.  I am not interested in spending time that through charitable works benefits the homeless, or convinces people to enact gun control laws, or protects abortion rights[2].   These were all things that I once spent time on, but now I am no longer interested in how I spend my time at all.  My obsession has taken a different tack.

I have become obsessed with time in that I want it stop.

Now.  Really.

I am serious.

“If we can intuit sameness, time is a delusion”

Jorge Luis Borges tells us that[3]:

“The basic elemental moments are… impersonal – physical suffering, and physical pleasure, the approach of sleep, listening to a single piece of music, moments of great intensity or great dejection.  I have reached… the following conclusion:  life is too impoverished not to also be immortal.”

Borges is attacking the problem in the second manner of Zeno’s infinities[4].  In a so-called “fixed” time interval, there are an infinity of individual points.  If we can experience each one, instead of jumping to the end, we can experience an infinity of subjective time without violating the constraining boundary conditions of the larger universe.  In effect, we would be causing our local entropy, and hence our subjective time experience, to deviate from the average entropy (and average time flow) of the universe.

I have, for personal reasons I do not wish to disclose here, had been trying all of this out last summer around Labor Day.  My methodology has closely followed Borges’ lead:  concentrating on moments of physical pleasure, of physical pain, listening to a single piece of music; experiencing moments of great intensity or dejection.  I summarize several attempts below.  I readily admit that the techniques are not perfected yet, they are not ready for “prime time”, yet the modest successes I’ve experienced in slowing down, and in one case even stopping time for several hours show the validity of the concept.  Perhaps other researchers can find ways to make these efforts more practical.

The first example is the least practical.  This is pleasure through sexual orgasm.  There is no doubt that time stands still during a sexual orgasm.  I think we can all agree on this.  Borges would tell us that every orgasm is the same orgasm.  The reason that this is not very practical approach to stopping time is one we are all familiar with:  diminished sexual desire as we age.  I’m 56 years old, my sex life is not what it used to be.  This could be a viable technique for a younger, more virile man.

I’ve had more success with listening to a single piece of music over and over again.  I chose Mott the Hoople’s classic No Wheels to Ride from the 1970 album Mad Shadows[5]  Specifically the guitar solo that comprises the bridge of the song.  This guitar solo, while only lasting a little more than a minute thirty-two seconds[6], I have successfully stretched into nearly 15 minutes of subjective time.  When it comes on, I simply kind of zone out.  The listening has become a single event in my Minkowski space-time continuum, my trajectory revisiting the same space-time coordinates again and again, an almost black hole of thousands of listening, each with its own memories, all remembered simultaneously.[7]  The musical technique for stopping time definitely seems more promising than the orgasm technique for the simple reason that Mott the Hoople is more readily available than quality sex.

The pain techniques I have been experimenting with have been quite successful at stopping time.

Severe abdominal pain can definitely stretch out time.  A few minutes can easily seem to last a half an hour.  Abdominal pain, though, in the end is too varied an experience to be reliable.  Every little abdominal pain is different and they are constantly morphing from one to another location, subdividing into different memories and breaking up into individual events that eventually cause entropy to flow again.

I’ve have much more luck with back pain.  There are two kinds I have been playing around with:  a diffuse lower back pain and a sharp lower back pain.  Both are good for stretching time by an order of magnitude, a minute seems like an hour.

My best results have come from constipation.  No kidding, ten minutes on the toilet trying to squeeze one out can last several hours.  My most successful attempt occurred this August during my family’s annual golf weekend outing[8].  Taking advantage of an episode of constipation accompanied by lower back pain and some dejection, I was able to stop time completely for three hours and fifteen minutes.

Although, as I said, I recognize that these techniques are not ready for wide dissemination (after all who wants to spend eternity sitting on a toilet constipated) the proof of principle has been demonstrated.  I acknowledge that I have failed in prolonging time through moments of great intensity and elation.  Perhaps other researchers are better suited by temperament and physical condition to achieve success with these.

I’m not giving up though.  I’m going to make this work.  I’m now obsessed with time and I will make it stop.

I will become unstuck in time.

“Poo-Tee-Weet”

[1] Thank you to the ancient Sumerians and Babylonians for developing an exceptionally arcane way or reckoning time, seriously… base 60 arithmetic?

[2] Am I the only idiot that was stupid enough to send money to OFA after the last election?  OFA is “Organizing for America” (or is it “Obama for America”?)  I now get about 10 email-twitters-instagrams a day wanting me to organize for various causes.  Even if I believed in time, I would have better things to do with it than sitting around with a bunch of other get-a-lifers with nothing to do until the next 2016 election cycle. (Which I guess has already started…)

[3]  See A New Refutation of Time, Jorge Louis Borges, pages 317-332, from Selected Non-Fictions, ©1999 by Maria Kodama, Viking Penguin Putnam, ISBN 0-670-84947-2

[4]  See the discussion in The Principles of Mathematics.  Page 367.  Bertrand Russell, 1903, 1986, New York, NY: Norton. ISBN 978-0-393-31404-5. OCLC 247299160

[5] Island Records, 1970.

[6] The solo runs from 2:24 to 3:58.  The composer and performer is Mick Ralphs… founding member of Mott the Hoople, founding member of Bad Company, and all around guitar god.

[7] Examples:  1973, doing homework, 1979, Thanksgiving dinner with Jimi Hendrix (not the Jimi Hendrix.  We actually knew someone named Jimi Hendrix and it amused him to spell it the same way), 1982 listening on a cassette tape in a car, yesterday while trying to write this piece).

[8] 108 holes of golf in four days with back pain and constipation…  you can only imagine…

 

 

 

 

 

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